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Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
Jazz, Blues Terrestrial Mutual Musicians Foundation, Inc. Kansas City Missouri: Website: KRTU-FM: 91.7 MHz Jazz, Independent Terrestrial Trinity University: San Antonio Texas: Website: KRWV-LP: 99.3 MHz Smooth Jazz, Mainstream Terrestrial Gold Canyon Public Radio Inc. Gold Canyon Arizona: Website: KSBR: 88.5 MHz Mainstream Terrestrial ...
As American free jazz musicians continued to play throughout Europe, the free jazz genre and the cultural movements in Europe associated with it began to spread as well, influencing many European jazz musicians to imitate the avant-garde style of playing as well as adopting its techniques to create their own individual sound.
While Coleman had intended "free jazz" as simply an album title, free jazz was soon considered a new genre; Coleman expressed discomfort with the term. [26] After the Atlantic period, Coleman's music became more angular and engaged with the avant-garde jazz which had developed in part around his innovations. [21]
Donald Eugene Cherry (November 18, 1936 – October 19, 1995) [1] was an American jazz trumpeter, bandleader, and multi-instrumentalist. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, including on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1961).
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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