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The Geistervariationen (Ghost Variations), or Theme and Variations in E-flat major for piano, WoO 24, composed in 1854, is the last piano work of Robert Schumann.The variations were composed in the time leading up to his admission to an asylum for the insane and are infrequently played or recorded today.
The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's Harpsichord Suite No. 1 in B ♭ major, HWV 434. They are known as his Handel Variations.
S 162 – Marche à la romaine for piano in E flat major; S 163 – Attila (lost) S 164 – Variations for piano in E major; S 165 – Rondoletto for piano in C major; S 166 – Einmal nur in unserm Leben; S 167 – Birthday Cantata for Goethe (1825) S 167a – Album piece for piano; S 168, WoO 7 – Impromptu in Canone for piano in G major
A-flat major 1846 KK. IVc/13 P. 2/13 Galop Marquis: Introduction et Variations brillantes sur le Rondeau favori "Je vends des scapulaires" from Hérold's Ludovic: B-flat major 1833 Op. 12 B. 80 Klavierstück E-flat major 1840 1955 B.133 KK IVb/10 P. 2/10 Marked simply "Sostenuto"; sometimes classified as a Waltz Largo E-flat major 1837 1938 B ...
4. in C major; 5. in E-flat major; 6. Variations de concert sur l’air irlandaise The Last Rose of Summer, in G major; Grand Caprice on Schubert's Der Erlkönig, D. 328, Op. 26 (1854) -transcription for solo violin-Iván Erőd. Drei Stücke für Violine solo, Op. 27 (1979) "GeburtstagsPRÄSENT dem treuen Freund GErHArD", o.Op. (2007)
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In music, Op. 44 stands for Opus number 44. Compositions that are assigned this number include: Beethoven – Variations on an original theme in E-flat major Britten – Spring Symphony
Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]