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In music, Op. 44 stands for Opus number 44. Compositions that are assigned this number include: Beethoven – Variations on an original theme in E-flat major Britten – Spring Symphony
The Geistervariationen (Ghost Variations), or Theme and Variations in E-flat major for piano, WoO 24, composed in 1854, is the last piano work of Robert Schumann.The variations were composed in the time leading up to his admission to an asylum for the insane and are infrequently played or recorded today.
Category: Compositions in G-flat major. ... Print/export Download as PDF; Printable version; In other projects
A-flat major 1846 KK. IVc/13 P. 2/13 Galop Marquis: Introduction et Variations brillantes sur le Rondeau favori "Je vends des scapulaires" from Hérold's Ludovic: B-flat major 1833 Op. 12 B. 80 Klavierstück E-flat major 1840 1955 B.133 KK IVb/10 P. 2/10 Marked simply "Sostenuto"; sometimes classified as a Waltz Largo E-flat major 1837 1938 B ...
S 162 – Marche à la romaine for piano in E flat major; S 163 – Attila (lost) S 164 – Variations for piano in E major; S 165 – Rondoletto for piano in C major; S 166 – Einmal nur in unserm Leben; S 167 – Birthday Cantata for Goethe (1825) S 167a – Album piece for piano; S 168, WoO 7 – Impromptu in Canone for piano in G major
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. G-flat may refer to: G-flat major; G-flat minor; The musical ...
The twelfth variation is marked meno allegro e maestoso, and is a huge grand variation of con tutta forza, with massive chords and repeats the melody heard in the third variation, only in a grand major voice. The key changes to g major, and the time from 12 8 to 6 8. Variation XIII. The thirteenth variation is marked allegro furioso is the ...
Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
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