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slipping slides with masking: black paint on portions of the moving plate would mask parts of the underlying image — with a black background — on the stationary glass. This made it possible to hide and then reveal the previous position of a part, for instance a limb, to suggest repetitious movement.
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The design of the box creates a usable space (shown in pink) larger than the audience would expect. Black stripes down the front of the cabinet make this space appear narrower, and the blades (shown in red) do not extend all the way across. Apparent ornamentation on the box (shown in green) is hollow inside, providing the performer with more space.
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A third approach, motion dazzle, confuses the observer with a conspicuous pattern, making the object visible but momentarily harder to locate. The majority of camouflage methods aim for crypsis, often through a general resemblance to the background, high contrast disruptive coloration, eliminating shadow, and countershading.
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Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
Gorilla in a Pink Mask is an early graffiti work by Banksy. In 2011, it was painted over by Saeed Ahmed's new Muslim cultural centre in Bristol. It originated in 2002. [1] Monkeys are a recurring motif in Banksy's works. [2] They can be found listening to music on headphones or in one case preparing to detonate a bomb.