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The heart, the crown of thorns and the cross: God's love (denoted by the heart) for humanity and his commitment to its redemption is evidenced by the obedient suffering of Christ (the crown of thorns), and death (on the cross). The cross made a way for "all to be reconciled to God and to one day enter Zion, the Heavenly city."
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The Sheet Music of Heaven (Spiritual Song); The Mighty Triumphs of Sacred Song (1925) by Clayton F. Derstine [612] [613] Church hymnal, Mennonite, a collection of hymns and sacred songs, suitable for use in public worship, worship in the home, and all general occasions (1927) [ 614 ]
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The hymn discusses the experience of Christian believers that Jesus Christ lives within their hearts, which is scriptural in the Word of God: “I am crucified with Christ; and it is no longer I who live, but it is Christ who lives in me.”—Galatians 2:20, and “That Christ may make His home in your hearts through faith.”—Ephesians 3:17 ...
The music for the German and English versions of the hymn is by Hans Leo Hassler, written around 1600 for a secular love song, "Mein G'müt ist mir verwirret ", which first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng. The tune was appropriated and rhythmically simplified for Gerhardt's German hymn in 1656 by Johann Crüger.
String music is prevalent in all of the instrumental music collections, with genres ranging from works for unaccompanied violin through classical symphonies. The final aspect and the “heart and soul” of Moravian music is the sacred vocal music. This was music specifically written for worship services.
Sheet music for Were You There " Were You There (When They Crucified My Lord) " is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.
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