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The Buddha's ten principal disciples, who seem to be historical figures, in some cases very important figures in the early development of Buddhism, are given personalities in the literature, and various anecdotes concerning them are depicted in art, with or without the Buddha being present.
The art of Gandhara was influenced by Ancient Greek art, leading to the development of Greco-Buddhist art with anatomically well-proportioned and realistic figure of the Buddha. One of the most influential Buddhist art was Gupta art and the later Amaravati style. From India the depiction of Buddha spread to the rest of Asia.
Gathering of Four Buddhas, Joseon, 1652. Buddhist painting, Butsuga (仏画) in a broad sense, refers to Buddhist paintings in general, including Buddhist biographies, Jataka tales, Pure Land variant paintings (such as Taima mandala), Raigō, Buddhist narrative paintings such as the Two Rivers White Path and Six Paths paintings, Ancestors biographies, Emaki, E-toki, Ancestors drawings, Chinsō ...
Korean Buddhist art generally reflects an interaction between other Buddhist influences and a strongly original Korean culture. Additionally, the art of the steppes, particularly Siberian and Scythian influences, are evident in early Korean Buddhist art based on the excavation of artifacts and burial goods such as Silla royal crowns , belt ...
Representations of the five Dhyani Buddhas, who are abstract aspects of Buddhahood rather than Buddhas or gods, have elaborate differences. [6] Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white).
After the 2019-2022 conservation, the painting was once again displayed at Tokyo in the exhibit Hōnen and Pure Land Buddhism, which commemorates the 850th anniversary of the founding of Jōdo-shū. The exhibit ran in Tokyo on 16 April to 9 June 2024 before being on public display at the Kyoto National Museum from 8 October to 1 December 2024.
The death of a noble lady and the decay of her body is a series of kusōzu paintings in watercolor, produced in Japan around the 18th century. The subject of the paintings is thought to be Ono no Komachi. [18] There are nine paintings, including a pre-death portrait, and a final painting of a memorial structure: [18] [19]
Detail wall painting, Ladakh Detail of a wall painting in a Buddhist temple in Ladakh/India. The support for wall paintings is made of earthen plaster, usually consisting of more than one layer of earthen plaster, in which the last layer is rendered as smoothly as possible. The support was covered by a smoothened ground, generally in white.
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