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The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. [3] Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development , such as the alteration of an ostinato line to fit changing harmonies or keys .
The pantoum is a form of poetry similar to a villanelle in that there are repeating lines throughout the poem. It is composed of a series of quatrains; the second and fourth lines of each stanza are repeated as the first and third lines of the next stanza. The pattern continues for any number of stanzas, except for the final stanza, which ...
Repeat sign. Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme.While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to periodic sounds, it is especially prominent in specific styles.
Scales are typically listed from low to high pitch. Most scales are octave-repeating, meaning their pattern of notes is the same in every octave (the Bohlen–Pierce scale is one exception). An octave-repeating scale can be represented as a circular arrangement of pitch classes, ordered by increasing (or decreasing) pitch class.
A tiling that lacks a repeating pattern is called "non-periodic". An aperiodic tiling uses a small set of tile shapes that cannot form a repeating pattern (an aperiodic set of prototiles). A tessellation of space, also known as a space filling or honeycomb, can be defined in the geometry of higher dimensions.
An overlapping circles grid is a geometric pattern of repeating, overlapping circles of an equal radius in two-dimensional space.Commonly, designs are based on circles centered on triangles (with the simple, two circle form named vesica piscis) or on the square lattice pattern of points.
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These contrasts naturally facilitate a dual hierarchy of rhythm and depend on repeating patterns of duration, accent and rest forming a "pulse-group" that corresponds to the poetic foot. Normally such pulse-groups are defined by taking the most accented beat as the first and counting the pulses until the next accent. [32]