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Tommy Aldridge was an early user of double bass drums in hard rock and heavy metal music. A double bass drum pedal operates much the same way as a single bass drum pedal does, but with a second footplate controlling a second beater on the same drum.
His drum lessons continued until he was 13, at which point Pitruzzella's passion for metal was born after hearing his first blast beat. On his 14th birthday, Pitruzzella received his first double bass pedal. Pitruzzella practiced for several hours every day after school, playing along with his favourite death metal drummers.
Heavy metal (or "metal") drumming is traditionally characterized by emphatic rhythms and dense bass guitar-and-drum sound. A characteristic metal drumming technique is the cymbal choke , which consists of striking a cymbal and then immediately silencing it by grabbing it with the other hand (or, in some cases, the same striking hand), producing ...
Metalcore is a broadly defined [5] fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s.Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy and percussive pedal point guitar riffs and double bass drumming.
He became an influence in Lombardo's drumming style and speed. Lombardo had just had the double bass added to his kit and it was the first double bass Hoglan ever played. Lombardo was impressed with Hoglan's playing, and Hoglan gave Lombardo tips regarding the use of the double kick drum. [1]
He is known for not using a double bass pedal, with Bruce Dickinson commenting that he refused to use one on "Where Eagles Dare", considering them 'undrummerish'. [26] He claims to have only ever used a double pedal once on "Face in the Sand", from Dance of Death , preferring to use a DW 5000 Accelerator single pedal. [ 29 ]
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When playing the double bass, Lombardo uses the 'heel-up' technique and places his pedals at an angle. As well as considering him an influence, Arch Enemy drummer Daniel Erlandsson feels Lombardo is "really tasteful in his playing, and doesn't overplay. He's gifted with a groove that not many speed metal, or metal drummers generally, have." [59]