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Visual hierarchy is an important concept in the field of graphic design, a field that specializes in visual organization. Designers attempt to control visual hierarchy to guide the eye to information in a specific order for a specific purpose. One could compare visual hierarchy in graphic design to grammatical structure in writing in terms of ...
Bodoni, an example of a modern serif. Didone, or modern, serif typefaces, which first emerged in the late 18th century, are characterized by extreme contrast between thick and thin lines. [f] These typefaces have a vertical stress and thin serifs with a constant width, with minimal bracketing (constant width). Serifs tend to be very thin, and ...
Chiasmus. In rhetoric, chiasmus (/ kaɪˈæzməs / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ "), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". [1]
A contrast effect is the enhancement or diminishment, relative to normal, of perception, cognition or related performance as a result of successive (immediately previous) or simultaneous exposure to a stimulus of lesser or greater value in the same dimension. (Here, normal perception, cognition or performance is that which would be obtained in ...
For example, in many varieties of American English, the phoneme /t/ in a word like wet can surface either as an unreleased stop [t̚] or as a flap [ɾ], depending on environment: [wɛt] wet vs. [ˈwɛɾɚ] wetter. (In both cases, however, the underlying representation of the morpheme wet is the same: its phonemic form /wɛt/.)
Cursive is a style of penmanship in which the symbols of the language are written in a conjoined and/or flowing manner, generally for the purpose of making writing faster. This writing style is distinct from "print-script" using block letters, in which the letters of a word are unconnected and in Roman/Gothic letterform rather than joined-up ...
v. t. e. Contrastive rhetoric is the study of how a person's first language and his or her culture influence writing in a second language or how a common language is used among different cultures. The term was first coined by the American applied linguist Robert Kaplan in 1966 to denote eclecticism and subsequent growth of collective knowledge ...
Contrast (vision) Contrast is the difference in luminance or color that makes an object (or its representation in an image or display) visible against a background of different luminance or color. The human visual system is more sensitive to contrast than to absolute luminance; thus, we can perceive the world similarly despite significant ...
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