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Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: Differences in music rhythm, harmony, meter, and melody. Difference of goodness in the characters.
Aristotelianism (/ ˌærɪstəˈtiːliənɪzəm / ARR-i-stə-TEE-lee-ə-niz-əm) is a philosophical tradition inspired by the work of Aristotle, usually characterized by deductive logic and an analytic inductive method in the study of natural philosophy and metaphysics. It covers the treatment of the social sciences under a system of natural law.
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
Aristotle conceived of politics as being like an organism rather than like a machine, and as a collection of parts none of which can exist without the others. Aristotle's conception of the city is organic, and he is considered one of the first to conceive of the city in this manner. [123] Aristotle's classifications of political constitutions.
The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as part of a commission by Pope Julius II to decorate the rooms now called the Stanze di Raffaello in the Apostolic Palace in Vatican City. The fresco depicts a congregation of ancient philosophers ...
Correspondence theory is a traditional model which goes back at least to some of the ancient Greek philosophers such as Plato and Aristotle. [2][3] This class of theories holds that the truth or the falsity of a representation is determined solely by how it relates to a reality; that is, by whether it accurately describes that reality. As ...
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3] Aristotle distinguishes plot from praxis – which are the actions the plots represent. [4]
Representation (arts) Representation is the use of signs that stand in for and take the place of something else. [1] It is through representation that people organize the world and reality through the act of naming its elements. [1] Signs are arranged in order to form semantic constructions and express relations.