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The Hallstatt culture was the predominant Western and Central European archaeological culture of the Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène ...
Large Brooch with Spirals, European Bronze Age, 1400–1100 B.C. The spectacle brooch was an ancient fibula from the late European Bronze Age and early Iron Age, primarily worn by adult women of higher social rank. [1] One form of the spectacle brooch originates from the Illyrians and consists of two concentrically wound spirals attached to a ...
Auriga (harp and piano) Sergiu Natra. Music For Violin and Harp; Music For Harp and Three Brass Instruments (trumpet, trombone, & French horn) Music for Nicanor (harp, flute, clarinet & string quartet) Commentaires sentimentaux (flute, viola and harp) Two Sacred Songs (soprano, violin, cello, harp & organ) Ancient Walls (trombone & harp)
The Bohemian Harp (Czech: harfa), also referred to as the Hakenharfe, is a Central European lever harp, similar to the Celtic harp, with a straight, tenoned neck. It was played foremostly by travelling musicians going through Europe in the 19th century, occasionally in bands .
In southern Mexico (Chiapas), there is a very different indigenous style of harp music. [38] The harp arrived in Venezuela with Spanish colonists. [39] There are two distinct traditions: the arpa llanera ('harp of the Llanos’, or plains) and the arpa central ('of the central area'). [40] By the 2020s, three types of harps are typically found ...
Robert Maxwell (born Max Rosen; April 19, 1921 – February 7, 2012 [1]) was an American harpist, songwriter, and teacher who wrote the music for two well-known songs: "Ebb Tide" and "Shangri-La" (originally a composition entitled "Fantasy for Harp").
Madison Calley (born November 22) is an American harpist. Calley, a graduate of Carnegie Mellon University, [1] gained mass exposure and notoriety through the creation of viral covers of contemporary music performed on her harp.
Hasselmans composed several dozen original solos for harp, of which his most famous is a concert étude entitled La Source (The Wellspring), Op. 44.He transcribed numerous works for harp originally written for other instruments by other composers, and edited important collections of studies by the earlier 19th-century harpist Nicolas-Charles Bochsa.