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Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Victoria (or Nike) on a fresco from Pompeii, Neronian era. In ancient Roman religion Victoria was the deified personification of victory. She first appears during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia.
Nike and Athena are both associated with victory, which has resulted in contestation over the origins of Nike. [14] According to a paper by Harrison (as cited in Sikes, 1895) Nike was once a facet of the Greek goddess Athena, who was composed of Boulaia (good council), Ergane (skilled handcraft), and Nike (victory).
A Roman wall painting showing the Egyptian goddess Isis (seated right) welcoming the Greek heroine Io to Egypt. Interpretatio graeca (Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods.
The Victoria Romana from Hadrian's Library (Greek: Νίκη της Βιβλιοθήκης του Αδριανού) is a large sculpture of the Greek goddess of victory Nike (known to the Romans as Victoria) that once adorned Hadrian's Library, a large library built in Athens by the Roman Emperor Hadrian (r. 117–138 AD) during the second ...
In early Roman religion, Libera was the female equivalent of Liber Pater, protector of plebeian rights, god of wine, male fertility and liberty, equivalent to Greek Bacchus or Dionysus. Libera was originally an Italic goddess, paired with Liber as an "etymological duality" at some time during Rome's Regal or very early Republican eras. [2]
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
Roman equivalent of the Greek goddess Athena. Mithras, god worshipped in the Roman empire; popular with soldiers. Molae, daughters of Mars, probably goddesses of grinding of the grain. Moneta, minor goddess of memory, equivalent to the Greek Mnemosyne. Also used as an epithet of Juno. Mors, personification of death and equivalent of the Greek ...