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35 artworks by or after Edgar Degas at the Art UK site; Edgar Degas at Norton Simon Museum, Pasadena, California; TATE BRITAIN EXHIBITION: DEGAS, SICKERT AND TOULOUSE-LAUTREC, LONDON AND PARIS 1870–1910. 5 OCTOBER 2005 – 15 JANUARY 2006 At The Phillips Collection, Washington, D.C. 18 February — 14 May 2006. Edgar Degas Gallery at ...
The Millinery Shop is an oil on canvas painting by the French Impressionist artist Edgar Degas created between 1879 and 1886. [1]: 220 It illustrates a young woman, perhaps a hat-maker or a shop customer, seated at a table examining a hat in her hands and additional hats on wooden stands.
Degas's interest in the subject and his motivation to paint the scene have been subject of art historical debate. According to Mary Cassatt's mother, Katherine Cassatt, Degas said of the painting: "It is one of those works which are sold after a man's death and artists buy them not caring whether they are finished or not."
1. Degas, the Odd Man Out: The Impressionistic Exhibitions 2. Duranty on Degas: A Theory of Modern Painting 3. Reading the Work of Degas 4. Against the Grain: J.K. Huysmans and the 1886 Series of Nudes 5. The Myth of Degas
Lorenzo Pagans and Auguste de Gas [1] is the title of a painting by Edgar Degas.Painted in oil on canvas, it is 54.5 cm high and 39.5 cm wide.The double portrait, painted around 1871–1872, [2] shows the Catalan tenor Lorenzo Pagans performing a song and guitar recital.
Young Spartans Exercising, also known as Young Spartans and as Young Spartan Girls Challenging Boys, [1] is an early oil on canvas painting by French impressionist artist Edgar Degas. The work depicts two groups of male and female Spartan youth exercising and challenging each other in some way.
Edgar Degas first sold At the Races in the Countryside to his art dealer, Paul Durand-Ruel, in September of 1872. Less than a month later, Degas left Paris for New Orleans to visit relatives. In October, the painting was sent to London and shown at the Fifth Exhibition of the Society of French Artists.
It is Degas's only circus painting, and Miss La La is the only identifiable person of color in Degas's works. The special identity of Miss La La and the great skills Degas used in painting her performance in the circus made this piece of art important, widely appreciated but, at the same time, controversial.