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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations ...
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
This list may not reflect recent changes. Glossary of music terminology; Glossary of Schenkerian analysis; List of classical music genres; Outline of music *
In a music industry context, a "crossover artist" or "crossover band" is a performer or group from one style that has managed to garner a following amongst fans of a different musical style. For example, some country performers have managed to get "crossover" hits in the pop charts.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
If the title of a musical group or a recording does not share its title with any other topic in Wikipedia, use the base title, for example the Front Bottoms (not the Front Bottoms (band)), The Vault: Old Friends 4 Sale (not The Vault: Old Friends 4 Sale (Prince album)), or "I Write Sins Not Tragedies" (not "I Write Sins Not Tragedies" (song)).
An example are the Impromptus (Op. 7) by Jan Voříšek. [ 9 ] Expanded ternary forms are especially common among Romantic-era composers ; for example, Chopin's "Military" Polonaise (Op. 40, No. 1) is in the form [(A–A–B–A-B–A) (C–C–D–C-D–C) (A–B–A)] , where the A and B sections and C and D sections are repeated as a group ...