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Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
Aureolin (sometimes called cobalt yellow) is a pigment sparingly used in oil and watercolor painting.Its color index name is PY40 (40th entry on list of yellow pigments). It was first made in 1831 by Nikolaus Wolfgang Fischer in Breslau characterizing it as "Doppelsalze" or double-salts [1] and its chemical composition is potassium cobaltinitri
Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
A note in Holbein's hand adds that Southwell's eyes were "a little yellowish". [173] Edward Stanley [175] c. 1532 – c. 1543: Black and coloured chalks, pen and ink, and brush and ink on pale pink prepared paper. 28.1 × 19.7 cm: The sitter is Edward Stanley, 3rd Earl of Derby, cup-bearer to Anne Boleyn. [175] [176] Thomas Lestrange [177] c. 1536
Portrait Study of Dorothea Meyer, by Hans Holbein the Younger, 1516. Silverpoint, red chalk, and traces of black pencil on white-coated paper, Kunstmuseum Basel. Silverpoint (one of several types of metalpoint) is a traditional drawing technique and tool first used by medieval scribes on manuscripts.
In the Toledo portrait Holbein provides visual puns and heraldic clues to identify the sitter: firstly, an angel, a heavenly being depicted with birds' wings. The angel in the sitter's pendant jewel represents the arms of Sir John Seymour (a pair of golden wings): Gules, a pair of "angels' wynges" conjoined in lure Or.
The palette used by Holbein in the Grey Passion is unparalleled throughout European altar painting - the monochrome grey perhaps symbolises a theme detached from this world. Hans Holbein the Elder followed the example of Jan van Eyck and Hans Memling and their circle, who had experimented with painting in grisaille. [3] [4] [5]
Color chips or color samples from a plastic pellet manufacturer that enables customers to evaluate the color range as molded objects to see final effects. A color chart or color reference card is a flat, physical object that has many different color samples present. They can be available as a single-page chart, or in the form of swatchbooks or ...
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