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Fylkesarkivet i Sogn og Fjordane, Set 72157624352814990, ID 4731908937, Original title Portrait of a young woman, ca. 1856-1900. File usage The following page uses this file:
Charles Bird King (1785–1862), portrait painter; James Frothingham (1786–1864), painter; John Lewis Krimmel (1786–1821), America's first genre painter; Hannah Cohoon (1788–1864), painter; Sarah Goodridge (1788–1853), painter of miniatures; Matthew Harris Jouett (1788–1827), portrait artist; William Edward West (1788–1859 ...
Anne Brigman (1869–1950), one of the original members of the Photo-Secession movement, images of nude women (including self-portraits) from 1900 to 1920; Charlotte Brooks (1918–2014), photojournalist, staff photographer for Look; Ellen Brooks (born 1946), pro-filmic approach, often photographing through screens
The earliest surviving photograph depicting people: a person working as a shoeshiner and an individual having his shoes shined. [5] [s 1] [s 3] Self‐Portrait as a Drowned Man [b] 18 October 1840 Hippolyte Bayard: Paris, France [6] Direct Positive
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891. The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Portrait of Erasmus of Rotterdam by Hans Holbein the Younger. Authentic portraits are ideal, but none exist for the vast majority of historic personalities. Where they exist, authentic portraits, i.e. artistic depictions of a person that purport to provide an individualized, authentic representation of that person's unique looks, based either directly or indirectly on a witness's first-hand ...
Pride and Joy: Children's Portraits in the Netherlands, 1500–1700 (Dutch: Kinderen op hun mooist: het kinderportret in de Nederlanden 1500-1700), was an exhibition held jointly by the Frans Hals Museum in Haarlem and the Royal Museum of Fine Arts, Antwerp, over several months in 2000–2001. [1]