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Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge, the protagonist of A Christmas Carol by Charles Dickens. At the start of the story, he is a bitter miser, but by the end of the tale, he ...
Each character should have their distinctive voice. [14] To differentiate characters in fiction, the writer must show them doing and saying things, but a character must be defined by more than one single topic of conversation or by the character's accent. The character will have other interests or personality quirks as well. [15]
A character arc is the transformation or inner journey [1] of a character over the course of a story. If a story has a character arc, the character begins as one sort of person and gradually transforms into a different sort of person in response to changing developments in the story.
The confidant (/ ˈ k ɒ n f ɪ d æ n t / or / ˌ k ɒ n f ɪ ˈ d ɑː n t /; feminine: confidante, same pronunciation) is a character in a story whom a protagonist confides in and trusts. . Confidants may be other principal characters, characters who command trust by virtue of their position such as doctors or other authority figures, or anonymous confidants with no separate role in the n
Character (arts), an agent within a work of art, including literature, drama, cinema, opera, etc. Character sketch or character, a literary description of a character type Game character (disambiguation) , various types of characters in a video game or role playing game
The Romantic hero is a literary archetype referring to a character that rejects established norms and conventions, has been rejected by society, and has themselves at the center of their own existence. [1] The Romantic hero is often the protagonist in a literary work, and the primary focus is on the character's thoughts rather than their actions.
This stock character provides pathos as yet another counterpoint to the plays' comic business and royal pomp." [8] Tara Brabazon discusses how the "school ma'am on the colonial frontier has been a stock character of literature and film in Australia and the United States. She is an ideal foil for the ill mannered, uncivilised hero.
In any narrative, the focal character is the character on whom the audience is meant to place the majority of their interest and attention. They are almost always also the protagonist of the story; however, in cases where the "focal character" and "protagonist" are separate, the focal character's emotions and ambitions are not meant to be empathized with by the audience to as high an extent as ...