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Kitab Radd-e-Kufr (কেতাব রদ্দে কুফুর) by Sadeq Ali (1874, Sylhet) [4] [5] Saheeh Sohor Chorit (ছহী সহর চরিত) by Asad (1878, Sylhet) [6] Shitalong Faqir-er Rag (শিতালং ফকিরের রাগ) by Muhammad Salimullah, aka Shitalong Shah (Kazidahar, Sonai) [7]
Nagri means "of or pertaining to an abode (nagar)". Hence, Sylhet Nagri denotes from the abode or city of Sylhet. In recent times it has come to be known as Sylheti Nagri although this name was not used in the classical manuscripts such as Pohela Kitab by Muhammad Abdul Latif. [13]
Aag Ka Darya (Urdu: آگ کا دریا; River of Fire) is a landmark historical Urdu-language novel written by Qurratulain Hyder providing context to the partition of the Indian subcontinent into two nation-states. It has been described as "one of the Indian Subcontinent's best known novels". [1]
Late Nagri writers include Muhammad Haidar Chaudhuri who wrote Ahwal-i-Zamana in 1907 and Muhammad Abdul Latif who wrote Pohela Kitab o Doikhurar Rag in 1930. [37] From around the middle of 20th century, Sylheti Nagri had faced near-extinction as most Sylheti Nagri printing presses fell out of use or were destroyed during the Bangladeshi ...
Andher Nagri is a six-act play written by Indian Hindi writer Bhartendu Harishchandra in 1881. It satirizes autocratic government by an incompetent ruler. [ 1 ] Bhartendu composed it in a single day for the Hindu National Theater in Banaras .
Munshi Muhammad Sadeq Ali (Bengali: মোহাম্মদ সাদেক আলী, Nagri: ꠍꠣꠖꠇ ꠀꠟꠤ), born as Sri Gaur Kishore Sen (Bengali: শ্রী গৌর কিশোর সেন), was a prominent Bengali Muslim writer, poet and district judge from 19th century Bengal. [1]
The 7th century Tibetan king Songtsen Gampo ordered that all foreign books be transcribed into the Tibetan language, and sent his ambassador Tonmi Sambota to India to acquire alphabetic and writing methods, who returned with a Sanskrit Nāgarī script from Kashmir corresponding to twenty-four (24) Tibetan sounds and innovating new symbols for ...
The author collected these stories from the common native people of Assam and then prepared this book. The names he mentioned in the preface of the book who contributed the folklores (but without explicitly mentioning who contributed which one) were Bhramarendra Saikia, Mahi Chandra Bora, Sitanath Sharma, Sarveshwar Sharma Kotoky, Rudrakanta Goswami, Wajed Ali, Naranath Sharma, Rusheswar ...