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Linen textiles appear to be some of the oldest in the world; their history goes back many thousands of years. Dyed flax fibers found in a cave in Southeastern Europe (present-day Georgia) suggest the use of woven linen fabrics from wild flax may date back over 30,000 years. [2]
A close-up of the texture of hand-woven linen fabric made in the early 20th century in the Balkans. An illustration of how to darn linen, from the Encyclopedia of Needlework (1884) by Thérèse de Dillmont. A French armoire with home linens arranged in a traditional manner, with embroidered dust covers over the shelves.
Damask weaves are commonly produced in monochromatic (single-colour) weaves in silk, linen or synthetic fibres such as rayon and feature patterns of flowers, fruit and other designs. The long floats of satin-woven warp and weft threads cause soft highlights on the fabric which reflect light differently according to the position of the observer.
Computer-aided design and manufacturing helped enhance fashion design and production, from fabric weaving decisions and digital printing to becoming fully automated. Computer technology allows more creative use of colors, shapes, and patterns with more detail.
Wool remained the most popular fabric for all classes, followed by linen and hemp. [61] Wool fabrics were available in a wide range of qualities, from rough undyed cloth to fine, dense broadcloth with a velvety nap; high-value broadcloth was a backbone of the English economy and was exported throughout Europe. [68]
Handkerchief linen is a light form of linen, and this pleating process used 9 yards of the material to create 1 yard of pleated linen. [7] The pleating of the fabric meant that unlike other linen garments, ones made with pleated linen were uncrushable, could be packed without becoming creased and maintained their shape.
Strip-woven textile design: African fabric. Textile patterns, designs, weaving methods, and cultural significance vary across the world. African countries use textiles as a form of cultural expression and way of life. They use textiles to liven up the interior of a space or accentuate and decorate the body of an individual.
Stuffed quilting, or trapunto, was known in Sicily as early as the 13th century. [2] One of the earliest surviving examples of trapunto quilting is the 1360-1400 Tristan Quilt, a Sicilian quilted linen textile surviving as two fragments, representing scenes from the story of Tristan and Isolde; one part of which is housed in the Victoria and Albert Museum and the other in the Bargello in Florence.
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