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The finest jewelry was still mainly centered and focused in the southern city-states such as; Cerveteri, Tarquinia and Vetulonia. Etruscan Bulla with the Greek mythical figures Daedalus and Icarus. Walters Art Museum, Baltimore. Gorgons, pomegranates, acorns, lotus flowers and palms were a clear indicator of Greek influence in Etruscan jewelry.
The Monomachus Crown (Greek: ΣτÎμμα του Μονομάχου; Hungarian: Monomakhosz-korona) is a set of pieces of engraved Byzantine goldwork, decorated with cloisonné enamel, in the Hungarian National Museum in Budapest, Hungary.
Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization. [5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which ...
The jewelry of the Byzantine Empire often features religious images or motifs such as the cross, even in pieces that were for secular use. Elaborate Roman styles were continued, but with growing use of cloisonné enamel. The main commissions for gold work and jewelry came from the Court or the Church. [18]
Hyperpyron of Emperor Manuel I Komnenos (r. 1143–1180), showing its typical scyphate (cup-shaped) form.. The hyperpyron (Greek: νÏŒμισμα ὑπÎρπυρον nómisma hypérpyron) was a Byzantine coin in use during the late Middle Ages, replacing the solidus as the Byzantine Empire's standard gold coinage in the 11th century.
The solidus (Latin 'solid'; pl.: solidi) or nomisma (Greek: νÏŒμισμα, romanized: nómisma, lit. 'coin') was a highly pure gold coin issued in the Later Roman Empire and Byzantine Empire. It was introduced in the early 4th century, replacing the aureus, and its weight of about 4.5 grams remained relatively constant for seven centuries.
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