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Mascha Rabben [de], Magdalena Montezuma [de], Carla Egerer [de] War, Experimental. The Brutes [de] Roger Fritz. Helga Anders, Klaus Löwitsch, Arthur Brauss. Thriller. Butterflies Don't Cry [de] Klaus Überall [de] Gaby Fuchs [de], Siegfried Wischnewski, Klaus Grünberg, Fritz Wepper.
List of East German films from the 1949–1990 German Democratic Republic; In 1949, both the Federal Republic of Germany (West Germany) and the German Democratic Republic (East Germany) came into existence, in 1990 they reunited as the Federal Republic, again informally referred to as simply Germany.
Title Director Cast Genre Notes Agatha, Stop That Murdering! Dietrich Haugk: Johanna von Koczian, Klausjürgen Wussow, Elisabeth Flickenschildt: Crime comedy: The Ambassador: Harald Braun
3 Days in Quiberon · Ballon · The Captain · In the Aisles · The Invisibles · Mack the Knife: Brecht's Threepenny Film · The Silent Revolution · Simpel · Tehran Taboo · Transit [45] 2019. All About Me · The Collini Case · The German Lesson · Heimat Is a Space in Time · Lara · Sealed Lips[46] 2020.
Lavinia Wilson, Serkan Kaya [de; ja], Tom Schilling, David Kross, Jürgen Vogel, Svenja Jung, Annette Frier. Tobis Film GmbH [de] [6] 23. Measures of Men. Der vermessene Mensch. Lars Kraume. Leonard Scheicher [de], Girley Charlene Jazama, Peter Simonischek. Zero one film GmbH.
Heimatfilme were usually shot in the Alps, the Black Forest, or the Lüneburg Heath, and always involved the outdoors.Their characteristics were their rural settings, sentimental tone and simplistic morality, and they centered on love, friendship, family and non-urban life.
Der Schuh des Manitu (2001) is the highest-grossing German production with a gross of €63 million and a record (since 1962) 11.7 million admissions. [3] The 1953 East German film Die Geschichte vom kleinen Muck had the most admissions for a film from East Germany with almost 13 million. [4]
New German Cinema (German: Neuer Deutscher Film) is a period in West German cinema which lasted from 1962 to 1982, [2] in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences.
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