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The tree of life (Hebrew: עֵץ חַיִּים, romanized:ʿēṣ ḥayyim or no: אִילָן, romanized:ʾilān, lit. 'tree') is a diagram used in Rabbinical Judaism in kabbalah and other mystical traditions derived from it. [ 1 ] It is usually referred to as the "kabbalistic tree of life" to distinguish it from the tree of life that ...
Effect of light from the rose window in Bari Cathedral, recurring in religious architecture to metaphorically allude to the spiritual light. [1]In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor.
The eye of God within a triangle, representing the Holy Trinity, and surrounded by holy light, representing His omniscience. Heptagram. Judaism, Islam, Thelema, Paganism, Alchemy. Represents the seven days of creation. In Islam, it represents the first seven verses of the Quran. It is the symbol of Babalon in Thelema.
In Hinduism, a basic mandala, also called a yantra, takes the form of a square with four gates containing a circle with a center point. Each gate is in the general shape of a T. [3] Mandalas often have radial balance. [4] A yantra is similar to a mandala, usually smaller and using a more limited colour palette.
Wuxing originally referred to the five major planets (Jupiter, Saturn, Mercury, Mars, Venus), which were with the combination of the Sun and the Moon, conceived as creating five forces of earthly life. This is why the word is composed of Chinese characters meaning "five" (五; wǔ) and "moving" (行; xíng). "Moving" is shorthand for "planets ...
Green: Grounded. Since green is a color that’s directly derived from nature, it’s often thought of by color psychologists to be grounding. Lewis says that a green front door will communicate a ...
The seven rays is a concept that has appeared in several religions and esoteric philosophies in both Western culture and in India since at least the sixth century BCE. [1]In occidental culture, it can be seen in early Western mystery traditions, such as Gnosticism and Mithraism, and in texts and iconic art of the Catholic Church as early as the Byzantine Empire.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.