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Its lowercase letters are key in separating Spencerian script from its predecessor, Copperplate script, otherwise known as English roundhand, as Spencerian lowercase letters tend to look more delicate and less shaded than those of Copperplate (shading entirely absent from 'i', vertical ascender of 't' and 'd' and the descender stem of 'p'). [10]
However, in the eighteenth and nineteenth century types and lettering in the Didone or modern serif style tended to a style with sharp contrast in stroke width and capital letters of near equal width, the opposite of the Roman capital model where capitals had widely varying width.
Florey, Kitty Burns (January 20, 2009). Script and Scribble: The Rise and Fall of Handwriting (First ed.). Melville House. ISBN 978-1933633671.; The Palmer Method of Business Writing: A Series of Self-teaching Lessons in Rapid, Plain, Unshaded, Coarse-pen, Muscular Movement Writing for the Home Learner, Where an Easy and Legible Hand-writing is Sought.
Calligraphy is widely practiced in China, which employs scripts such as Kaishu (standard), Xingshu (semi-cursive), and Caoshu (cursive). [22] Chinese calligraphy is meant to represent the artistic personality in a way western calligraphy cannot, and therefore penmanship is valued higher than in any other nation. [23]
The uppercase letter J: In Germany, this letter is often written with a long stroke to the left at the top. This is to distinguish it from the capital letter "I". The uppercase letter S: In Japan, this letter is often written with a single serif added to the end of the stroke. The uppercase letter Z: This letter is usually written with three ...
The script uses many ligatures (see, e.g., Tironian notes), and some letters are hard to recognize – "a" looks like an uncial "a", but with the left stroke still straight, "b" and "d" are hard to distinguish, "e" is a full height letter (like the "s"), "p" and "t" are very similar, and "v" is written above the baseline, resembling a floating ...
Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. [1] [page needed] Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. [2] [3] [4] [5]
Folio 14 recto of the Vergilius Romanus, author portrait of Virgil.. Rustic capitals (Latin: littera capitalis rustica) is an ancient Roman calligraphic script. Because the term is negatively connoted supposing an opposition to the more 'civilized' form of the Roman square capitals, Bernhard Bischoff prefers to call the script canonized capitals.
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