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Tarvos Trigaranus or Taruos Trigaranos [1] is a divine figure who appears on a relief panel of the Pillar of the Boatmen as a bull with three cranes perched on his back. He stands under a tree, and on an adjacent panel, the god Esus is chopping down a tree, possibly a willow, with an axe.
Tsuru no Ongaeshi (鶴の恩返し, lit."Crane's Return of a Favor") is a story from Japanese folklore about a crane who returns a favor to a man. A variant of the story where a man marries the crane that returns the favor is known as Tsuru Nyōbō (鶴女房, "Crane Wife").
[129] [130] According to the New American Bible, a Catholic Bible translation produced by the Confraternity of Christian Doctrine, the story of the Nephilim in Genesis 6:1–4 "is apparently a fragment of an old legend that had borrowed much from ancient mythology", and the "sons of God" mentioned in that passage are "celestial beings of ...
The book relates the development of language to the development of myths, religions, and cultic practices in world cultures. Allegro argues, through etymology, that the roots of Christianity, and many other religions, lay in fertility cults, and that cult practices, such as ingesting visionary plants to perceive the mind of God, persisted into the early Christian era, and to some unspecified ...
A carnal tells a crane about the birth of Jesus: that he was born in a stable, of a virgin, and slept in a manger; that the Magi told King Herod of the birth, Herod said that if it were true, the cock on his table would revive and crow, and the cock did so; that Herod ordered the Massacre of the Innocents, that Saint Joseph had to flee to Egypt and beasts worshipped Jesus on the way; that a ...
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
The first scholar sees in it a sort of parallel with the theology underlying the rite of the Tigillum Sororium. Crane is a nymph of the sacred wood of Helernus, located at the issue of the Tiber, whose festival of 1 February corresponded with that of Juno Sospita: [199] Crane might be seen as a minor imago of the goddess.
Matzevah or masseva [1] (Hebrew: מַצֵּבָה, romanized: maṣṣēḇā "pillar" or stele (Koinē Greek: στήλη, romanized: stēlē) in the Septuagint, is a term used in the Hebrew Bible for a baetyl, a type of sacred column or standing stone.