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The plot set-up for it is the return of cowboy Will Parker from an excursion to the city of the same name. He describes his experiences in song. He describes his experiences in song. The song describes the wonders of the city and its entertainments (from the viewpoint of a country bumpkin), all reprising with the concept that the conditions (in ...
Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. [2] There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevailed.
He had a Billboard #1 record in 1959 with the song "Kansas City". [2] The song was written in 1952 and was one of the first credited collaborations by the team of Jerry Leiber and Mike Stoller. It sold over one million copies, and was awarded a gold disc. [3] Harrison recorded "Kansas City" for the Harlem-based entrepreneur Bobby Robinson, who ...
"Oklahoma City" – written and recorded by Zach Bryan, 2020. [251] "Oklahoma City Alarm Clock" – The Fixtures, 1996. [252] "Oklahoma City Blues" – Jimmy Wakely. Wakely earlier recorded the song as "Oklahoma Blues." This one (with "City") is a little shorter, but has the same words and tune. [253] "Oklahoma City Blues" – Neal Pattman ...
Roger Dean Miller Sr. (January 2, 1936 – October 25, 1992) was an American singer-songwriter, widely known for his honky-tonk-influenced novelty songs and his chart-topping country hits "King of the Road", "Dang Me", and "England Swings".
Basie and jazz historian Mark C. Gridley claimed that "Moten Swing" is based on the chord progression to the song "You’re Driving Me Crazy" in the key of E-flat major. [3] According to Dave Sager of Jazz.com, "The bridge of the first chorus, cleverly truncated, features spine-tingling, shouting brass played into metal derbies and sounding ...
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"The Surrey with the Fringe on Top" is a show tune from the 1943 Rodgers and Hammerstein musical Oklahoma!. [ 1 ] [ 2 ] The piece was recorded in 1952 by jazz pianist Ahmad Jamal , which influenced trumpeter Miles Davis to include it in his repertoire in the 1950s, [ 3 ] which probably motivated other jazz musicians to play it.
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