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The size originates from the gelatin days: it is the same as a standard baker's sheet, which was used to cast the sheets. In the film industry, gels are usually cut straight from rolls 24 or 48 in (600 or 1,200 mm) wide and 50 ft (15 m) long, as the size required may vary from a single practical halogen spotlight in a ceiling to a whole window.
A color scroller, color changer, or "scroller" is a lighting accessory used to change color gels on stage lighting instruments without the need of a person to be in the vicinity of the light. [5] It is attached in the gel frame holder on the outside of a lighting instrument, immediately in front of lens assembly.
A colour scroller moves plastic "gel" colour gel [actually dyed polyester and/or other base materials coated with dyes] into the beam of the light. It is generally attached to the gel frame holder at the transmitting end of a lighting fixture, so colour is introduced after the beam characteristics have been defined by the optics of the lighting ...
The bulbs used are referred to as lamps. Stage lighting instruments typically use incandescent lamps, tungsten-halogen lamps, encapsulated arcs, or LEDs. [1] Most theatrical lamps are tungsten-halogen (or quartz-halogen), an improvement on the original incandescent design that used halogen gas instead of an inert gas.
Classical Spectacular used ordinary stage lighting plus special laser effects. Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. [1] Several different types of stage lighting instruments are used in this discipline. [2] In addition to basic lighting, modern stage ...
Color correction is a process used in stage lighting, photography, television, cinematography, and other disciplines, which uses color gels, or filters, to alter the overall color of the light. Typically the light color is measured on a scale known as color temperature, as well as along a green–magenta axis orthogonal to the color temperature ...
An illustration from Kliegl Brothers' 1922 catalog, depicting portable lighting equipment used at Lasky Hollywood Studios. Kliegl Brothers Universal Electric Stage Lighting Company was an American manufacturer of electrical stage lighting products in the 20th century. The company had a significant influence in the development of theatrical ...
Best Lighting Design Nigel Levings: La bohème: Donald Holder: Movin' Out: Brian MacDevitt: Nine: Kenneth Posner: Hairspray: 2004 58th Tony Awards: Best Lighting Design Peggy Eisenhauer and Jules Fisher: Assassins: Brian MacDevitt: Fiddler on the Roof: Henry IV, Part 1 and Part 2: Kenneth Posner: Wicked: 2005 59th Tony Awards: Best Lighting ...
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