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The Reina–Valera is a Spanish translation of the Bible originally published in 1602 when Cipriano de Valera revised an earlier translation produced in 1569 by Casiodoro de Reina. This translation was known as the "Biblia del Oso" (in English: Bear Bible ) [ 1 ] because the illustration on the title page showed a bear trying to reach a ...
Cipriano de Valera (1531–1602) was a Spanish Protestant Reformer and refugee who edited the first major revision of Casiodoro de Reina's Spanish Bible, which has become known as the Reina-Valera version. Valera also edited an edition of Calvin's Institutes in Spanish, as well as writing and editing several other works.
When specific editions are referred to, BH 1, BH 2 and BH 3 are used. Biblia Hebraica is a Latin phrase meaning Hebrew Bible, traditionally used as a title for printed editions of the Tanakh. Less commonly, Biblia Hebraica may also refer to subsequent editions in the Biblia Hebraica series which build on the work of Kittel's editions.
Reina was born about 1520 in Montemolín in the Province of Badajoz. [1] [2] From his youth onward, he studied the Bible.[1]In 1557, he was a monk of the Hieronymite Monastery of St. Isidore of the Fields, outside Seville (Monasterio Jerónimo de San Isidoro del Campo de Sevilla). [3]
The Biblioteca ilustrada de Gaspar y Roig is a collection of cheap illustrated books of medium production quality, with two columns, condensed fonts and narrow margins to reducing costs, and engravings inserted into the text.
De Valera denounced reports of Bergen-Belsen concentration camp as "anti-national propaganda"; according to Paul Bew, this was not out of disbelief but rather because the Holocaust undermined the assumptions underlying Irish neutrality: moral equivalence between the Allies and the Axis, and the idea that the Irish were the most persecuted ...
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
[1] [2] The art historian Robert Hughes commented on Dalí's painting in his biography of Goya , stating: "Salvador Dalí appropriated the horizontal thigh of Goya's crouching Saturn for the hybrid monster in the painting Soft Construction with Boiled Beans , ... which—rather than Picasso 's Guernica —is the finest single work of visual art ...
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