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Calvin's Commentaries, Vol. 10: Psalms, Part I, tr. by John King, (1847–50) / PSALM 1. sacred-texts.com; Charles H. Spurgeon: Psalm 1 detailed commentary, archive.spurgeon.org; Psalm 1 in Hebrew and English with commentary on specific Hebrew words. The happy man of Psalm 1, from the Jewish Bible Quarterly "Hymns for Psalm 1". hymnary.org
"Chester" is a patriotic anthem composed by William Billings and sung during the American Revolutionary War.Billings wrote the first version of the song for his 1770 songbook The New England Psalm Singer, and made improvements for the version in his The Singing Master's Assistant (1778).
This is an outline of commentaries and commentators.Discussed are the salient points of Jewish, patristic, medieval, and modern commentaries on the Bible. The article includes discussion of the Targums, Mishna, and Talmuds, which are not regarded as Bible commentaries in the modern sense of the word, but which provide the foundation for later commentary.
Anim Zemirot (Hebrew: אנעים זמירות, lit."I shall sweeten songs" [citation needed]) IPA: [ʔanˈʕiːm zǝmiːˈroːθ] is a Jewish liturgical poem recited in most Ashkenazic synagogues during Shabbat and holiday morning services; in most communities, it is said at the end of services, and in a small number of communities it is recited at the beginning of services or before the Torah ...
Songs from Psalty's Kids Bible 1 (1995) Pow Pow Power to Live God's Way (1996) Psalty's All New Praise Party 2 (1996) Psalty's Mighty-Mini Musical: Kids' Praise-a-Luia (1998) Psalty's Mighty-Mini Musical: Growing Up in God (2001) Songs from Psalty's Kids Bible 2 (2001) Faith It! God Loves Me (2011) Psalty's Great Story Songs (2012) Songs for ...
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It has the "same style as three biblical apostrophes in Isaiah 54:1-8, 60:1-22, 62:1-8" and another copy of this composition can be found in 4Q88. [ 9 ] The Plea for Deliverance, found in column 19, was a psalm unknown before the discovery of 11Q5, where neither the beginning nor the end of the poem can be found, except some twelve lines of the ...
The author draws from the rabbinic interpretation of the Song of Songs, suggested as linguistically originating in the 3rd century BCE, in which the maiden is seen as a metaphor for an ancient Jewish population residing within Israel's biblical limits, and the lover (dod) is a metaphor for God, and from Nevi'im, which uses the same metaphor. [6]