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"The Love for the Three Oranges" or "The Three Citrons" (Neapolitan: Le Tre Cetre) is an Italian literary fairy tale written by Giambattista Basile in the Pentamerone in the 17th century. [1] It is the concluding tale, and the one the heroine of the frame story uses to reveal that an imposter has taken her place.
The second orange is withdrawn from the sale for (according to Hodges) not reaching its unstated reserve price. Wilson tells Pike to buy the last orange for Mainwaring. As they end up bidding against each other (unknowingly), the orange eventually sells for an enormous ten shillings. Mainwaring brings Jones' section into the office.
The Belbati Princess is an Indian folktale, from the Ho people in Eastern India, collected by Cecil Henry Bompas.The tale is a local form of the tale "The Love for Three Oranges", which is classified as type ATU 408 of the international Aarne-Thompson-Uther Index (ATU).
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L'amour des trois oranges, Op. 33, is a 1921 satirical French-language opera by Sergei Prokofiev.He wrote his own libretto, basing it on the Italian play L'amore delle tre melarance, or The Love for Three Oranges (Russian: Любовь к трём апельсинам Lyubov k tryom apyelsinam) by Carlo Gozzi, and conducted the premiere, which took place at the Auditorium Theatre in Chicago on ...
The Love for Three Oranges can also refer to: The Love for Three Oranges (fairy tale), Italian fairy tale by Giambattista Basile in Pentamerone (The Love of Three) Oranges ("a play with some music and singing and maybe even a little dancing"), a 2018 adaptation by Meg Sturiano with original songs by Benji Goldsmith.
L'amore delle tre melarance is a 1761 play by Carlo Gozzi for the Teatro San Samuele, Venice. [1] The play is best known today as the base for Prokofiev's opera The Love for Three Oranges (L'amour des trois oranges).
Folklore of Indonesia is known in Indonesian as dongeng (lit. ' tale '), cerita rakyat (lit. ' people's story ') or folklor (lit. ' folklore '), refer to any folklore found in Indonesia. Its origins are probably an oral culture, with a range of stories of heroes associated with wayang and other forms of theatre, transmitted outside of a written ...