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Wolfgang Amadeus Mozart The song's lyrics repeatedly invoke the help of Mozart in regaining the singer's lost love. In the refrain, the singer expresses her wish to have the "magic flute's magic" ("trollflöjtens magi"), a reference to Mozart's opera The Magic Flute (The opera's title in Swedish is Trollflöjten .)
The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
Abendempfindung an Laura", K. 523, is a song by Wolfgang Amadeus Mozart dated June 24, 1787, in Vienna, written at the time of the opera Don Giovanni and Eine kleine Nachtmusik. Text [ edit ]
" Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [ 1 ]
The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
The work is scored for two clarinets, two bassoons, two horns in E ♭, strings with divided violas, soprano, piano.. The aria consists of two sections, the recitative, 27 bars in G minor (" Ch'io mi scordi di te?") and the aria itself, 219 bars, a rondò in E-flat major (" Non temer, amato bene ").
Stock's 1789 miniature of Mozart " Liebes Manndel, wo ist's Bandel?" ("Dearest husband, where's my hatband?"), otherwise known as "Das Bandel" is a terzet (song for three voices) with string accompaniment composed by Wolfgang Amadeus Mozart, K. 441, with lyrics in the Viennese dialect.
Then Mozart adds two phrases of his own as a coda; in recitative, in free time and using only two notes: "Das arme Veilchen!" (Poor little violet!), a long general pause, and closing the song a tempo with a quotation from the third line: "es war ein herzigs Veilchen." (it was the sweetest violet.)