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Some DMX slave devices have built-in terminators that can be manually activated with a mechanical switch or by software, or by automatically sensing the absence of a connected cable. A DMX512 network is called a "DMX universe". [4] Each OUT connector on a DMX512 controller can control a single universe.
The protocol can address 32768 DMX "universes", each of 512 channels, limited by bandwidth. The fixed addressing can be problematic in networks with other addressing requirements. [3] Revision Q of the protocol addressed this problem by adding 10.0.0.0/8 as an addressing scheme. For node discovery, broadcast packets are used.
Remote Device Management (RDM) is an addition to the DMX512 control protocol for stage lighting equipment, introduced in 2006. DMX512 was developed in the late 1980s as a standard protocol for lighting consoles to communicate with dimmers, but has since been used for more complex applications, including the control of intelligent lighting fixtures.
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Direct Stream Digital (DSD) is a trademark used by Sony and Philips for their system for digitally encoding audio signals for the Super Audio CD (SACD).. DSD uses delta-sigma modulation, a form of pulse-density modulation encoding, a technique to represent audio signals in digital format, a sequence of single-bit values at a sampling rate of 2.8224 MHz.
four 64-bit double-precision floating point numbers. The width of the SIMD registers is increased from 128 bits to 256 bits, and renamed from XMM0–XMM7 to YMM0–YMM7 (in x86-64 mode, from XMM0–XMM15 to YMM0–YMM15). The legacy SSE instructions can still be utilized via the VEX prefix to operate on the lower 128 bits of the YMM registers.
The Sound Blaster Live! 24-bit (SB0410) was not actually a member of the Sound Blaster Live! family, because it lacked the EMU10k1/10k2 processor. It was a stripped-down version of the Audigy Value, with an SNR of 100 dB, software based EAX, no advanced resolution DVD-Audio Playback, and no Dolby Digital 5.1 or Dolby Digital EX 6.1 playback.