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The Gospel of John does narrate the account of Jesus healing the son of a royal official at Capernaum at a distance in John 4:46–54. Some modern commentators [4] treat them as the same event. However, in his analysis of Matthew, R. T. France presents linguistic arguments against the equivalence of pais and son and considers these two separate ...
The official, based in Capernaum, may have been in service to either the tetrarch Herod Antipas or the emperor. It is not clear whether he is a Jew or Gentile. [3]The healing of the official's son follows Jesus' conversation with the Samaritan woman regarding "a spring of water welling up to eternal life” and serves as a prelude to Jesus' statement when questioned after healing the paralytic ...
At Simon Peter's house, Gaius humbly requests Jesus to heal his dying servant-son, Ivo, believing even from a distance. Jesus marvels at and acknowledges Gaius' faith, healing Ivo. Before journeying, Big James and John seek Jesus for high-ranking status and seats in his kingdom, upsetting Jesus and bothering the other ten apostles.
Christ healing the paralytic at Capernaum by Bernhard Rode 1780. Jesus heals the paralytic at Capernaum (Galway City Museum, Ireland) Jesus heals the man with palsy by Alexandre Bida (1875) Healing the paralytic at Capernaum is one of the miracles of Jesus in the synoptic Gospels (Matthew 9:1–8, Mark 2:1–12, and Luke 5:17–26).
Christ Healing the Paralytic at the Pool of Bethesda (1667-1670) by Bartolomé Esteban Murillo. Christ Healing the Paralytic at the Pool of Bethesda is a 1667-1670 oil on canvas painting by Bartolomé Esteban Murillo, now in the National Gallery, London, [1] to which it was presented by the Art Fund, which had bought it for £8,000 the body had been given by Graham Robertson's executors.
Made and painted by Lucas Cranach the Elder, the painting depicts Jesus Christ with children, based on the New Testament verse "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14); a popular subject of Protestant iconography in line with the Lutheran teachings of Sola gratia and Sola Fide; salvation by grace through faith, a theme ...
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Jesus Heals the Man with a Withered Hand by Ilyas Basim Khuri Bazzi Rahib (1684) According to St. Jerome, in the Gospel which the Nazareni and Ebionites use, which was written in Hebrew and according to Jerome was thought by many to be the original text of the Gospel of Matthew, the man with the withered hand, was a mason.