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Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say "To-morrow is Saint Crispian." Then will he strip his sleeve and show his scars, And say "These wounds I had on Crispin's day." Old men forget; yet all shall be ...
[326] God's people have the opportunity of entering into God's promised rest through a persevering faith, or of being found/judged by God on judgment day to have fallen short of it through unbelief and disobedience. [327] "God's 'rest' is available and its loss a true possibility." [328] Note how complementary warnings bracket verses 1–11. [329]
The book's preface stated that "Do Not Stand at My Grave and Weep" was "the unexpected poetry success of the year from Bookworm's point of view"; the poem had "provoked an extraordinary response... the requests started coming in almost immediately and over the following weeks the demand rose to a total of some thirty thousand.
Soon after his death, Jesus' followers believed he was raised from death by God and exalted to divine status as Lord "at God's 'right hand'," [52] which "associates him in astonishing ways with God." [ 53 ] [ m ] According to Hurtado, powerful religious experiences were an indispensable factor in the emergence of this Christ-devotion. [ 55 ]
In the song "Five Magics" by Megadeth on their 1990 album Rust in Peace, Mustaine uses the phrase "He who lives by the sword, will surely also die" referencing this quote. [20] In the second verse of Geto Boys' song Mind Playing Tricks on Me (1991), the idiom is used to describe the violent life the protagonist leads.
The lyrics often looked at life as a necessary and God-given vale of tears with death as a ransom, and they reminded people to lead sinless lives to stand a chance at Judgment Day. The following two Latin stanzas (with their English translations) are typical of memento mori in medieval music; they are from the virelai Ad Mortem Festinamus of ...
"And the LORD God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul." (cf. Gen 2:7) The text of Genesis 2:7 clearly states that God breathed into the formed man the "breath of life" and man became a living soul. He did not receive a living soul; he became one.
The term "dying god" is associated with the works of James Frazer, [4] Jane Ellen Harrison, and their fellow Cambridge Ritualists. [16] At the end of the 19th century, in their The Golden Bough [4] and Prolegomena to the Study of Greek Religion, Frazer and Harrison argued that all myths are echoes of rituals, and that all rituals have as their primordial purpose the manipulation of natural ...