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"All the Madmen" is a song written by the English singer-songwriter David Bowie in 1970 for his album The Man Who Sold the World, released later that year in the US and in April 1971 in the UK. One of several tracks on the album about insanity, it has been described as depicting "a world so bereft of reason that the last sane men are th
Each track on this album was featured in one or more episodes of the series. Along with songs popular in the 1960s, [4] the album also features a song by The Decemberists, three songs performed by cast members (Christina Hendricks, Jessica Paré, and Robert Morse), two suites by Mad Men composer David Carbonara, [5] and the main theme music by RJD2.
Roughly translated from French to English "Zou Bisou Bisou" means "Oh! Kiss Kiss" [3] [17] or "Oh You Kiss Kiss". [14] [18]After translating the song, Haglund claimed that the theme of the song is about ". . .openly declaring and displaying one's love, coming out from 'the bushes' where 'lovers glide stealthily' and feeling love 'everywhere'". [5]
This whole country album is an ode to love and heartbreak, but the 2018 song paints a picture of a significant other being so special it’s almost rare and beautiful with lyrics like “That you ...
"The Hobo Code" is the eighth episode of the first season of the American television drama series Mad Men. It was written by Chris Provenzano and directed by Phil Abraham . The episode originally aired on September 6, 2007, on the AMC channel in the United States.
Newton made her recording of the song at Soundcastle Studio in Hollywood CA on January 11, 1982: this was the first session of recording the tracks which would compose Newton's Quiet Lies album whose lead single: "Love's Been a Little Bit Hard on Me" was the one other track recorded in that session. [5]
A good country love song is as relatable as it is romantic, weaving a story that resonates with the heart and perfectly captures the universal experience of falling in love.
If the fifth season of Mad Men has dealt with generational divides in a more abstract sense—the 'youth' movement versus the old guard—then 'At the Codfish Ball' dealt with this on a hyper-personal level." [5] Time magazine writer Nate Rawlings liked the episode's three solid plot lines for Peggy, Megan and Sally. About the latter two, he ...