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Each track on this album was featured in one or more episodes of the series. Along with songs popular in the 1960s, [4] the album also features a song by The Decemberists, three songs performed by cast members (Christina Hendricks, Jessica Paré, and Robert Morse), two suites by Mad Men composer David Carbonara, [5] and the main theme music by RJD2.
"The Hobo Code" is the eighth episode of the first season of the American television drama series Mad Men. It was written by Chris Provenzano and directed by Phil Abraham . The episode originally aired on September 6, 2007, on the AMC channel in the United States.
Roughly translated from French to English "Zou Bisou Bisou" means "Oh! Kiss Kiss" [3] [17] or "Oh You Kiss Kiss". [14] [18]After translating the song, Haglund claimed that the theme of the song is about ". . .openly declaring and displaying one's love, coming out from 'the bushes' where 'lovers glide stealthily' and feeling love 'everywhere'". [5]
Mad Men is an American period drama television series created by Matthew Weiner and produced by Lionsgate Television. It ran on cable network AMC from July 19, 2007, to May 17, 2015, with seven seasons and 92 episodes. [1] It is set during the period of March 1960 to November 1970.
1st and 2nd episodes of the 5th season of Mad Men "A Little Kiss" Mad Men episodes Episode nos. Season 5 Episodes 1 & 2 Directed by Jennifer Getzinger Written by Matthew Weiner Featured music "Ebb Tide" by Ken Griffin "Zou Bisou Bisou" by " Jessica Paré " You Don't Have to Say You Love Me " by Dusty Springfield Original air date March 25, 2012 (2012-03-25) Running time 92 minutes Guest ...
A good country love song is as relatable as it is romantic, weaving a story that resonates with the heart and perfectly captures the universal experience of falling in love.
53. “I’ll Cover You” by Jesse L. Martin and Wilson Jermaine Heredia (2005) Yes, Rent has A LOT of great hits, but this duet with Tom (Martin) and Angel (Heredia) is a top tier in our book ...
If the fifth season of Mad Men has dealt with generational divides in a more abstract sense—the 'youth' movement versus the old guard—then 'At the Codfish Ball' dealt with this on a hyper-personal level." [5] Time magazine writer Nate Rawlings liked the episode's three solid plot lines for Peggy, Megan and Sally. About the latter two, he ...