Search results
Results from the WOW.Com Content Network
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Karl Christian Ludwig Hofer or Carl Hofer (11 October 1878 – 3 April 1955) was a German expressionist painter. He was director of the Berlin Academy of Fine Arts . One of the most prominent painters of expressionism , he never was a member of one of the expressionist groups, like " Die Brücke ", but was influenced by their artists.
Despite Powell's recent work with the three-strip Technicolour film process, war shortages meant a return to the black-and-white stock with which Hillier was familiar. The film is a mixture of British realism and the German expressionist [ 7 ] use of extreme light and shade which Hillier has been trained in, [ 8 ] and is remembered for its ...
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; Wikidata item; Appearance. ... Media in category "German Expressionist painters"
Die Brücke (The Bridge), also known as Künstlergruppe Brücke or KG Brücke, was a group of German expressionist artists formed in Dresden in 1905. The founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein, and Otto Mueller.
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang [4] [5] from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm.
At the end of the war he became a member of the Arbeitsrat für Kunst in Berlin, which was an anti-academic, socialist movement of German artists during the German Revolution of 1918–19. Schmidt-Rottluff’s angular, contrasting style became more colorful and looser in the early 1920s, and by the mid-1920s he began to evolve into flat shapes ...
Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression , known as noir fiction .