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Instruments with only a lower cutaway are known as "single cutaway" instruments, and guitars with both are called "double cutaway". These terms are sometimes shortened to "single cut" (such as in the model name for a solid-body electric guitar called the "PRS Singlecut", produced by the Paul Reed Smith company) or "double cut".
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
The ES-150DC was a hollowbody electric guitar with a double-cutaway body similar in appearance to the semi-hollow 335 guitars (except for a greater body thickness). It featured two humbuckers, a rosewood fingerboard with small block inlays, and a master volume knob on the lower cutaway.
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
The RGX312II (1988–1993) is a double cutaway rock style guitar available in Red, Black, White, or Silver Pearl finish. The guitar is set up with Yamaha pickups as follows: Original List Price: $449.00 Neck - single coil Middle - single coil Bridge - Humbucker Construction: Alder Body; Satin Finish Maple Neck; Bubinga Fretboard
The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
At the same time of the Melody Maker, Gibson's sister brand Epiphone made a version of the guitar named the Olympic. Initially virtually identical to the double cut Melody Makers, these guitars eventually developed an asymmetrical body with a slightly larger upper horn with the Olympic Special, and a higher-end model which shared a body with the later Epiphone Coronet, Wilshire, and Crestwoods ...
Cutaway (guitar), a feature of some guitar body shapes; Cutaway (industrial), the display of a manufactured product, where a portion of the exterior housing has been removed to reveal the internal components; Cutaway drawing, a type of drawing based on the design technique to cut away part of the outside to show some of the inner work
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