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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
African Art Museum of the SMA Fathers at Tenafly, New Jersey: The Legend of Chi Wara. www.masksoftheworld.com: Chi Wara mask images. Library of the University of Virginia: Africa Masks exhibit. Includes images and description of one male and one female mask. Humboldt State University: gallery of Chi Wara and other Bambara dancers.
Mapiko masks are worn during the rites of passage of circumcised boys. [ 1 ] [ 2 ] These wooden masks have been carved by master craftsmen, [ 3 ] made of soft wood and sometimes feature human hair. They represent human heads and may feature labrets or scarifications.
Gelede mask from the Yoruba people of Nigeria. Held at the Birmingham Museum of Art Gelede Body Mask Gelede mask, Afro-Brazilian Museum, São Paulo. The Gẹlẹdẹ spectacle of the Yoruba is a public display by colorful masks which combines art and ritual dance to amuse, educate and inspire worship. [1]
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Many types of masks are used by the Northern Edo. Like most masks created in Africa, it represents the presence of a spirit. The intention behind an African mask is not to depict something realistic or naturalistic, as the African ideal aspires to capture the essence of the spirit represented. Therefore, abstraction and distortion are often seen.
The We, sometimes called the Krahn or Guere, are an indigenous African people that inhabit areas in eastern Liberia and western Côte d'Ivoire. [2] In this region, masks such as this one typically start as simple, unadorned objects carved by a male artist. The mask is then handed down through generations with each new wearer adding adornments.
Gebande is the most sacred examples of Dan masks while Genome is a lower rank of masks. [4] [5] The classifications relate to the content which the Dan attribute to the mask, rather than the appearance of the mask. Gebande masks can be divided into a series of subgroups and categories: Subgroups: Singers’ masks; Dancers’ masks; Storytellers ...