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As a biblical reference, the metaphor may refer to physical armour worn by God in metaphorical battles, or it may refer to vigilant righteousness in general as bestowed by the grace of God (Romans 13:12, King James Version): "The night is far spent, the day is at hand: let us therefore cast off the works of darkness, and let us put on the ...
Spiritual mapping refers to the 21st-century belief among some Evangelicals that all history is a battle between Satan and God and that there are currently specific demons associated with specific locations (territorial spirits). Neo-Evangelicals who follow the spiritual mapping movement believe that these demons are the reason of lack of ...
Strong in the strength which God supplies through His eternal Son. Strong in the Lord of hosts, and in His Mighty Power, Who in the strength of Jesus is more than conqueror. Send then in His great might, with all His strength endued, But take, to arm you for the fight, the panoply of God; That, having all things done, and all your conflicts passed,
The people in Christ's kingdom are equipped with spiritual weapons—the armor of God, the shield of faith, and the sword of the Spirit to fight against the devil, the world, and their own flesh, together with all that arises against God and his Word. The people in the kingdom of this world fight for a perishable crown and an earthly kingdom.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm ...
The kalasha is believed to contain amrita, the elixir of life, and thus is viewed as a symbol of abundance, wisdom, and immortality. The kalasha is often seen in Hindu iconography as an attribute, in the hands of Hindu deities like the creator god Brahma, the destroyer god Shiva as a teacher, and the goddess of prosperity Lakshmi.
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]