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In 1774, William Richardson sounded the key notes of this analysis: Hamlet was a sensitive and accomplished prince with an unusually refined moral sense; he is nearly incapacitated by the horror of the truth about his mother and uncle, and he struggles against that horror to fulfill his task.
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.
I criticized the violet, telling it that it had stolen its sweet smell from my beloved's breath, and its purple color from my beloved's veins.I told the lily it had stolen the whiteness of your (that is, the beloved's) hands, and marjoram had stolen the beloved's hair; a third flower had stolen from both; in fact, all flowers had stolen something from the person of the beloved.
(Hamlet's anguished cry to his father's ghost) Something is rotten in the state of Denmark. Act I, scene 5: Murder most foul, ... The time is out of joint ... There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. Act II, scene 2: "Caviar to the general" Hamlet Act 2, scene 2, 431–440 ...brevity is the soul ...
Learn about the famous soliloquy from Shakespeare's Hamlet, where Prince Hamlet contemplates death and suicide. Compare the different versions of the speech from the First Quarto, the Second Quarto and the First Folio.
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
Learn about the main and minor characters in William Shakespeare's Hamlet, a tragedy about the Prince of Denmark and his revenge. See the differences and similarities among the three early versions of the play, and the sources and adaptations of the characters.
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.