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  2. Common chord (music) - Wikipedia

    en.wikipedia.org/wiki/Common_chord_(music)

    A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...

  3. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    List of musical chords Name Chord on C Sound # of p.c.-Forte # ... 0 4 7 e 2 5 9: ... Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; ...

  4. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

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  6. Key (music) - Wikipedia

    en.wikipedia.org/wiki/Key_(music)

    Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.

  7. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Most commonly, power chords (e.g., C–G–C) are expressed using a "5" (e.g., C 5). Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. CE –G) since they are inherently neither major nor ...

  8. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]

  9. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    For example, for the chords "Dm7 ♭ 5 G7 ♭ 9, play down the B♭7 scale from its seventh to B" (B being the added half-step "bebop note" and third of the G7 ♭ 9 chord). This works because the notes of the Dm7 ♭ 5 chord { D F A ♭ C } are also chord tones of B ♭ 9 { B ♭ D F A ♭ C }.