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Parure made for Farida of Egypt in 1934 Cameo, Ascione, 1925. The Museo del Corallo is a small private museum of coral jewellery in Naples, in Campania in southern Italy. It also holds some cameos and jewellery in ivory and tortoiseshell.
A branch of red coral figures prominently in the civic coat of arms of the town of Alghero, Italy. Amongst the Yoruba and Bini peoples of West Africa, red precious coral jewellery (necklaces, wristlets and anklets most especially) are signifiers of high social rank, and are worn as a result by titled kings and chieftains.
By 1500 BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. [citation needed] Before 2100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques.
Shell-shaped snuffbox, by Gricci, Caselli and a goldsmith, 1745–1750 [22]. The true Capodimonte wares of the short period between 1743 and 1759 included tableware of the usual types, figures, and the Porcelain boudoir of Maria Amalia of Saxony entirely made of porcelain panels in a chinoiserie style, originally made for the Palace of Portici (1757–59), but now moved to the Capodimonte ...
Fortunato Pio Castellani (1794–1865) is regarded as the forefather of the family. In 1814, Fortunato opened his own workshop in Rome. The progenitor specialized in the creation of jewels emulating the ones that then came to light from the necropolis of Etruria, that were found in the excavations of Pompeii and Herculaneum or that could be observed in the Campana collection.
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