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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
The first suzuri-bako were developed in 9th-century Japan. [2] At the time, calligraphy was an integral part of Japanese society. In order for a writer to produce a high-quality calligraphy script, a set of precise tools was needed. The most important of these tools was the inkstone, which was required to hold and transfer ink onto a writer's ...
These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.
History of Japanese Calligraphy, Yuzankaku, NCID BN16078771. History of Japanese Calligraphy (1934). Heibonsha, CiNii. Japanese Calligraphy and Japanese Spirit (1940). Cabinet Printing Bureau, CiNii. Education Bureau, CiNii. Japanese calligraphy and Japanese spirit (1940). Japan Cultural Association, CiNii. Ishibashi, Keijuro (1950).
Bokujinkai (墨人会, “People of the Ink,” est. 1952) is a Japanese calligraphy collective, research group, and exhibition society. It was founded by the calligraphers Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Yoshimichi Sekiya, and Bokushi Nakamura.
Yukinari further improved the Japanese style calligraphy (wayō-shodō 和様書道), and showed great respect to its founder, Ono no Michikaze (894-966). He even mentioned in his diary, Gonki, that he had a dream wherein he met Michikaze and learnt calligraphy from him. Yukinari was known as the master of kana. His style was mild and easily ...
The eleventh century provided Japan with a golden age of literature. Many also see it as the time when Japanese culture found its identity. With many of the best-known works created by women, the Heian period still influences art, calligraphy, and aesthetics today. In calligraphy, kana writing has kept the cultivated elegance it developed in ...
Morita Shiryū (June 24, 1912 – December 1, 1998) was a postwar Japanese artist who revolutionized Japanese calligraphy into a global avant-garde aesthetic. [1] [2] [3] He was born in Toyooka, Hyōgo, Japan with the name Morita Kiyoshi (森田清).