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Sólo Para Mujeres came after the success of its predecessor, Sólo Para Hombres (Just for Men), a play that starred Lorena Herrera, among others, and which came about after Herrera's participation in the famous telenovela, Dos Mujeres, un Camino. Sólo Para Hombres featured Herrera and other famous Mexican actresses dancing on stage with scant ...
Dos mujeres, un camino (English title: Two women, one path) is a Mexican neo-noir telenovela produced by Emilio Larrosa for Televisa in 1993–1994. [1] This production was exhibited in 47 countries, including Indonesia , had high viewer ratings, and has been described as one of Televisa's most successful telenovelas.
Women Without Tomorrow (Spanish: Mujeres sin mañana) is a 1951 Mexican drama film directed by Tito Davison and starring Leticia Palma, Manolo Fábregas and Carmen Montejo. [ 1 ] The film's art direction was by Edward Fitzgerald .
Spanish American gold coins were minted in one-half, one, two, four, and eight escudo denominations, with each escudo worth around two Spanish dollars or $2. The two-escudo (or $4 coin) was the "doubloon" or "pistole", and the large eight-escudo (or $16) was a "quadruple pistole".
La Mujer sin Alma ("The Soulless Woman") is a Mexican drama film of 1944, directed by Fernando de Fuentes and starring María Félix. The movie is an adaptation of an Alphonse Daudet novel. Plot
Woman Without Tears (Spanish: La mujer sin lágrimas) is a 1951 Mexican historical drama film directed by Alfredo B. Crevenna and starring Libertad Lamarque, Marga López and Ernesto Alonso. [ 1 ] Cast
Doblón was launched in September 1974. [3] José Antonio Martínez Soler was the founder of the magazine who had worked as the editor-in-chief of Cambio 16. [1] He started Doblón following his dismissal from Cambio 16.
Una mujer sin amor (English: A Woman Without Love) is a 1952 Mexican [1] film directed by Spanish-born filmmaker Luis Buñuel. It is based on Guy de Maupassant's story "Pierre et Jean." The film, like much of Buñuel's work, criticizes bourgeois values, especially those of the highly superficial Don Carlos Montero. Buñuel himself considered it ...