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Woman Reading is a 19th-century (portrait painting) by Susan Macdowell Eakins. It is in the collection of the Metropolitan Museum of Art. [1] Woman Reading probably depicts the artist's sister Elizabeth Macdowell Kenton. It is one of Eakins' many portraits of her family members in interior settings. [1]
Susanna Paine, also known as Susannah and Susan [1] (June 9, 1792 – November 10, 1862), was an American portrait artist in New England in the 19th century. She published poetry, a Christmas hymn, a novel, and an autobiography entitled Roses and Thorns, or Recollections of an Artist.
Her oil portraits were quickly sought after by congressmen, diplomats, and other wealthy individuals in the Maryland area. [11] Her portrait work is regarded as stylistically unique due to her usage of detailed furs, lace, and fabrics as well as realistic faces, skin, and hair. [2] Basket of Berries, 1860
Self-Portrait (Kramskoi) Self-Portrait (Chassériau) Self-Portrait at 69 years; Self-Portrait in a Hat; Self-Portrait of the Artist with her Father; Self-Portrait with Palette (Manet) Self-Portrait with the Yellow Christ; The Spanish Singer; Portraits at the Stock Exchange; Symphony in White, No. 1: The White Girl; Symphony in White, No. 2: The ...
Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c. 1789 – 29 December 1815), also spelled Sara, sometimes in the diminutive form Saartje (Afrikaans pronunciation:), or Saartjie, and Bartman, Bartmann, was a Khoekhoe woman who was exhibited as a freak show attraction in 19th-century Europe under the name Hottentot Venus, a name that was later attributed to at least one other woman ...
Anna Bilińska is best known for her portraits, especially those featuring women, painted with great intuition. Her Self-Portrait with Apron and Brushes (1887) developed a new self-portrait pose by placing the artist in front of a model's backdrop, thus stating that she is her own model. [11]
Between the years 1809 and 1824 she exhibited at the Royal Academy and elsewhere several figure-subjects and portraits, among the latter being in 1816 those of Sir Matthew Wood, 1st Baronet, lord mayor of London, and of her husband. She also practised modelling, exhibiting two busts at the Royal Academy in 1819.
Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [ 6 ] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature . [ 7 ]