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The Art of medieval Spain, A.D. 500-1200. New York: The Metropolitan Museum of Art. 1993. ISBN 0870996851. Berg Sobré, Judith. Behind the Altar Table: The Development of the Painted Retablo in Spain, 1350-1500. Columbia, Miss. 1989. Brown, Jonathan, Painting in Spain, 1500-1700 (Pelican History of Art), Yale University Press, 1998, ISBN 0300064748
Still Life with Lemons, Oranges and a Rose, 1633, Norton Simon Museum, Pasadena, California The Flight into Egypt, late 1630s, Seattle Art Museum. In 1631, he painted the great altarpiece of The Apotheosis of Saint Thomas Aquinas, now in the Museum of Fine Arts of Seville; it was executed for the church of the college of that saint. [24]
Art historian Martin S. Soria titles the painting Spain, Time, and History and claims that the painting was likely created around 1797. He asserts the strong influence of Cesare Ripa's Iconologia (first published in 1596) on Goya's depiction of Time and History as classic allegorical figures. In Soria's interpretation, History fulfills a ...
Yard with Lunatics, c. 1794. Francisco José de Goya y Lucientes (/ ˈ ɡ ɔɪ ə /; Spanish: [f ɾ a n ˈ θ i s k o x o ˈ s e ð e ˈ ɣ o ʝ a i l u ˈ θ j e n t e s]; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker.
A posthumous portrait of Maria Isabel of Portugal in front of the Prado, whose building she led.. The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons (1700–1868, with a brief interruption).
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.
Las Hilanderas (Spanish pronunciation: [las ilanˈdeɾas]; "The Spinners") is a painting by the Spanish painter Diego Velázquez, in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. Most scholars regard it as a late work by the artist, dating from 1657-58, but some argue that it was done c. 1644-48. [1]
The painting was part of a large collection the museum purchased from Lluis Plandiura, a Catalan politician. [1] The art collection of Plandiura was one of the most important in Spain at the time and contain almost 2000 works, including paintings, sculpture, and archaeological pieces.