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The three apparitions of Our Lady of Champion to Adele Brise were approved by Bishop David Ricken.. It remains to me now, the Twelfth Bishop of the Diocese of Green Bay and the lowliest of the servants of Mary, to declare with moral certainty and in accord with the norms of the Church that the events, apparitions and locutions given to Adele Brise in October of 1859 do exhibit the substance of ...
A bishop can judge an alleged private revelation to be either worthy of belief (constat de supernaturalitate) or not worthy of belief (constat de non supernaturalitate). A private revelation that is worthy of belief can receive full approval if it is approved by the Pope, such as happened with the revelations to Margaret Mary Alacoque. [62]
The monk Theophilus Presbyter described glass-production in minute detail early in the 12th century in his treatise Schedula diversum artium - the glass-painter was to trace the composition of a window on a panel of bleached wood, before cutting the glass sections on it and finally painting and assembling them. [13]
Throughout the ages, art has been a part of the church. God designed the temple, employing artisans to create its beautiful and ornate workmanship. Churches of old included stained-glass windows created to illustrate God’s word, and even the most simple country churches often include beautiful wooden crosses and podiums.
Norms regarding the manner of proceeding in the discernment of presumed apparitions or revelations is a 1978 document written by the Holy See's Sacred Congregation for the Doctrine of the Faith (CDF) which sets guidelines for Catholic bishops in discerning claims of private revelation such as Marian apparitions.
These artworks may take the form of carvings, paintings, mosaics or stained-glass windows. In some churches a single artwork, such as a stained-glass window, has the role of Poor Man's Bible , while in others, the entire church is decorated with a complex biblical narrative that unites in a single scheme.
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Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
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