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Mujra is a dance performance by man/woman in a format that emerged during Mughal rule in India, where the elite class and local rulers like the nawabs of the Indian society (often connected to the Mughal emperor's court) used to frequent tawaifs (courtesans) for their entertainment.
In 1919, a Punjabi dictionary, simply titled as English-Punjabi Dictionary, was published at Calcutta, being authored by Reverend Thomas Grahame Bailey of the Scottish Mission in Wazirabad. [6] This dictionary contained 5,800 words, including their Latin script equivalents, to assist Europeans learning the Punjabi language to converse with ...
Punjabipedia is a Punjabi language encyclopedia created by Punjabi University, Patiala on suggestion of the Government of Punjab, India.It is developed in a similar fashion to Wikipedia and is meant to promote the Punjabi language and its literature, Punjabi culture and to attract people active in the field of the Punjabi language.
Tawaif is a performer who thrives on sponsorship from the royal and aristocratic families, and the dancers are responsible for performing mujra dance with good manners. True mujra dance is elegant, complex, and artistic, presented in an elegant manner.
Google Dictionary is an online dictionary service of Google that can be accessed with the "define" operator and other similar phrases [note 1] in Google Search. [2] It is also available in Google Translate and as a Google Chrome extension .
See as example Category:English words. Mainly original words of Punjabi, which have unique meaning in the context of Punjabi culture are supposed to be part of this category. Subcategories
In some cases words have entered the English language by multiple routes - occasionally ending up with different meanings, spellings, or pronunciations, just as with words with European etymologies. Many entered English during the British Raj in colonial India. These borrowings, dating back to the colonial period, are often labeled as "Anglo ...
An evolved format of the tappa was the baithaki style, which evolved under the direct patronage of the landed elites of the zamindari classes of the late 19th and early 20th centuries, in their baithak-khanas (literally, baithak - assembly, khana - halls or salons) and jalsaghar (literally, halls for entertainment, mujra or nautch halls)