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Titus Maccius Plautus [1] (/ ˈ p l ɔː t ə s /, PLAW-təs; c. 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety.
Kane, George (July 1950). "Reviews: A Commentary on the General Prologue to the Canterbury Tales". The Modern Language Review. 45 (3). Modern Humanities Research Association: 363– 368. doi:10.2307/3718517. JSTOR 3718517. (subscription required) Hulbert, James R. (February 1949). "Reviews: A Commentary on the General Prologue to the Canterbury ...
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
The prologue to Mark in the Drogo Gospels , a manuscript from around 850. The Monarchian Prologues are a set of Latin introductions to the four canonical gospels of Matthew, Mark, Luke and John. They were long thought to have been written in the second or third century from a Monarchian perspective, hence their name.
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The Prologue to the Tale of Beryn begins upon the pilgrims’ arrival in Canterbury, where they lodge at the inn, “The Checker of the Hoop.” (1–12).While the company is dining at the inn, the Pardoner, disgusted with how the meal is served according to social hierarchy, leaves the fellowship to instead speak with the barmaid, Kit (13–22).
It was presented in the Urbino throne room and prepared by Castiglione, the duke of Novellara. Castiglione is also responsible for the prologue of the script. Scenes were created by a student of Raphael (a close friend of Dovizi), Girolamo Genga. The play proved to be a success and would be continued to be performed on several occasions.