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Commonly sampled elements include strings, basslines, drum loops, vocal hooks or entire bars of music, especially from soul records. [40] Samples may be layered, [41] equalized, [41] sped up or slowed down, repitched, looped or otherwise manipulated. [14]
Electronic instruments and tools for making drops include synthesizers, vocal samples, a drum beat, and basslines. Certain drops can include a "beat-up" (so-named because it is a point where the volume of the foundational kick drum beat is increased, after it has been faded down during a break or buildup) and "climax" (a single, striking drop ...
The first sample is a backmasked vocal sample by Kirsty Hawkshaw from "It's a Fine Day" by Opus III (1992). Ed Barton, the composer of "It's a Fine Day", receives a co-writing credit for the track. The second is a vocal harmonies sample in the song "Leave It" from the 1983 album 90125 by the progressive rock band Yes. [2]
The first disc's instrumentation was performed entirely on a Roland V-Drum kit by drummer Zach Hill and features chopped vocal samples of Icelandic singer-songwriter Björk on every track. [4] The second half, Jenny Death, leaked online on March 19, 2015.
"Pump Up the Volume" is the only single by British recording act M|A|R|R|S. Recorded and released in 1987, it was a number-one hit in many countries and is regarded as a significant milestone in the development of British house music [1] and music sampling.
Two vocal samples are used extensively throughout the track. The phrase "Felt that I was in this long dark tunnel" was sampled from an episode of the BBC documentary series Q.E.D., first shown in 1988, concerning out-of-body experiences.
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